The Red Tent (1971)/ Red Cockroaches (2005)
Frank’s red pen deftly hunts across the page. Not that it mattered; the actors had already taken their last rewrites and for the moment spelling didn’t count. Frank could at least take pride that his little off off off off off Broadway (any farther off and the actor would be swiming in the East River!) piece of schlock was at least better than the last two additions to his DVD collection:
Red Cockroaches (Coyula 2005).
The Red Tent (aka Krasnaya Palatka; Kalatozishvili 1971).
Red C. is available 27 September from Ryko Distribution.
Red T. came out 23 August on Paramount. Frank was so bored to tears by last Saturday night’s selections he vowed to never buy movies alphabetically again—or possibly just avoid the word “red”—he’d already been burned by
Red Dragon (Ratner 2002);
Red Dawn (Milius 1984),
Red Planet (Hoffman 2000),
Red Sonia (Fleischer 1985), and
Red Heat (Hill 1988), just to name a few…
Yes, Frank’s
Scrapmetal Jesus did have a few things to be proud of.

Unlike
Red Tent, the story of a failed blimp trip to the north pole in 1928, Frank’s play was not a drawn out morality tale. SJ got right into the muck and was morally ambiguous. Frank’s play also didn’t require long panoramic shots of the North Pole, a cute doggie or a throwaway love story as filler material. Unlike the
Red Tent, Frank also didn’t need a top-billed start like Sean Connery to come in at the end, whose anticipated entrance keeps an audience from walking away. Franks play had no G-rating. And its lip-sync was perfect. Frank's characters are weakened by the world, while Kalatozishvili’s are robust, even after weeks in the artic. Of course, to be fair, considering Peter Finch’s kinda cool dirigible crash, both the
Red Tent and
Scrapmetal do contain people drinking when they ought be paying attention.

Unlike
Red Cockroaches, the story of brother-sister sex intrigue set in a near future NYC, the acting in
Scrapmetal Jesus was excellent and the dialogue far from stilted. Frank didn’t need sexual taboos. To hell with the film considered the best low-budget film(---er, video) of the last few years. Frank certainly didn’t need childish film school tricks: he didn’t use worm’s eye POV in every other shot, smash-cut after smash cut, or dime store sexual symbolism such as a finger in a flower. He didn’t need special effect either, sticking flying CGI cars into every shot.
Scrapmetal Jesus was more goofy than its due. That’s true. But at least, Frank muses, it was born of the streets. Not pieced together on an Apple G4 like
Red Cockroaches.
Having itemized these reasons for hoisting his own play, above his panned DVDs, Frank is more at ease. He orders a Wild Turkey as they begin his play:
Scrap-Metal Jesus
INT—EMPTY WAREHOUSE—NIGHT
[Explosion. Police sirens rattle room. FRANK TRAUTMAN scrambles through a window and tumbles to the floor. TRACY HITLER hurries through the door, slams it, and then lays against it, panting.]
TRACY
Fucking cops!
[He looks at Frank rising off floor and extends a hand.]
Hey! Tracy Hitler. Nice ta meet ya.
FRANK
Frank Trautman—Jeezus! Tracy Hitler?!
TRACY
Yeah. I know. Tracy’s a girl’s name…
FRANK
No. I mean, uh—Hitler? You know—
[He mimics Nazi salute and mustache.]
Hitler?
TRACY
[Apologetic]
Oh! I’m not related to that one.
FRANK
Well. I know that. Or hoped so, anyway. But, I mean…ya haven’t thought about changing it?
TRACY
[Becoming indignant]
The Hitlers have proudly carried this moniker since the 15th century—
FRANK
Yeah. Yeah. But don’t you think that, you know—he—someone—kinda spoiled it—?
TRACY
What? Throw away a perfectly proud family tradition just because, unfortunately, one bad egg had the coincidence of sharing the same surname?
FRANK
[Waving him off in disgusted disbelief]
Bad egg?…
[Returning]
Okay. So what, your ancestors just went about Austria writing bank checks and repaying student loans for the last sixty years constantly, if not smugly, reassuring everyone,
[In faux high-class demure]
“Oh no, no. Heavens forbid. We’re not those Hitlers.”
TRACY
I should say not! We’re Belgian.
FRANK
Sorry. Sorry. My mistake. You’re of the Belgian Hitlers.
TRACY
Brussels.
FRANK
Brussels.
TRACY
Oh, yea. We’re dairi-ers— Diari-ists? Dairi-ites? Dairi—
FRANKEh?
TRACY
Hitler’s Fine Cheeses since 1783.
FRANK
Uh-huh. I see.
TRACY
[Nods]
Diari—ians
FRANK
[Waves hands]
Okay. Fine. Cheese… No. Not fine…In any case, why then, do you have to burst into here and announce that you are in fact a Hitler?
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